Literary debates in modern China, 1918-1937. by Amitendranath Tagore

Cover of: Literary debates in modern China, 1918-1937. | Amitendranath Tagore

Published by Centre for East Asian Cultural Studies in [Tokyo .

Written in English

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Subjects:

  • Chinese literature -- 20th century -- History and criticism.

Edition Notes

Book details

SeriesEast Asian cultural studies series,, no. 11
Classifications
LC ClassificationsPL2302 .T3
The Physical Object
Paginationxiv, 280 p.
Number of Pages280
ID Numbers
Open LibraryOL5690742M
LC Control Number70017025

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Genre/Form: Criticism, interpretation, etc: Additional Physical Format: Online version: Tagore, Amitendranath, Literary debates in modern China, Literary Debates in Modern China, Tagore, Amitendranath. Published by Tokyo The Centre for East Asian Cultural Studies., Save for Later.

From John Randall (Books of Asia), ABA, ILAB (Rye, East Sussex, United Kingdom) AbeBooks Seller Since 07. This collection of essays addresses the perception that our understanding of modern China will be enhanced by opening the literature of China to more rigorous theoretical and comparative study.

In doing so, the book confronts the problematic and complex subject of China's literary, theoretical, and cultural responses to the experience of the chapters by writers, scholars, and. This volume presents a broad range of writings on literature from the period of the inception of literary modernity in China.

Of the 55 essays included, 47 are translated here for the first time, including two essays by Lu Xun. In addition to the selections themselves, the author has provided, in an extensive General Introduction and shorter introductions to the five parts of the book Reviews: 1.

the “modern aesthetic significance” of modern Chinese literature with the language, style and literary performance in the “worlding.” It can be seen as a new interpreta-tion of modern Chinese literature and will have a profound impact on future studies.

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Yingjin Zhang is Professor of Chinese Studies and Comparative Literature at University of California, San Diego, USA, and Visiting Chair Professor of Humanities at Shanghai Jiao Tong University, China.

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The publication of this book, with its range and breadth of scholarship, is an event without precedent in the field of modern Chinese literary studies. There is a wealth of early Chinese literature dating from the Hundred Schools of Thought that occurred during the Eastern Zhou Dynasty (– BC).

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The majority of historical and literary studies on gender issues published at that time focused on the late imperial period, roughly from the 16th century to the early 19th century.

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A brief treatment of Indian literature follows. For a fuller treatment, see South Asian arts: Literature. See also Islamic arts: Islamic literatures, India: The arts, Pakistan: The arts, and Bangladesh: The arts. The earliest Indian literature took the form of the canonical Hindu sacred writings, known as the Veda, which were written in the Veda were added prose commentaries such.

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Modern China is So Crazy It Needs a New Literary Genre On Living Through the "Ultra-Unreal," and Writing About It It should engage the social issues that are the hottest topics of the popular discussion of the moment.

childhood. He is the narrator of the novel. His dream is to live in a library, and in his apartment he has a lot of. Description: Spanning the full sweep of Chinese studies of six centuries, Modern China encourages scholarship that crosses over the old "premodern/modern" and "modern/contemporary" divides.

In addition to research articles, Modern China presents periodic symposia on important topics in Chinese studies, critical essays on the state of Chinese studies, in-depth review articles on particular.Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts.

Read preview Overview The U.S. Crusade in China, By Michael Schaller Columbia University Press, This volume presents a broad range of writings on literature from the period of the inception of literary modernity in China. Of the 55 essays included, 47 are translated here for the first time, including two essays by Lu Xun.

In addition to the selections themselves, the author has provided, in an extensive General Introduction and shorter introductions to the five parts of the book.

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